The Bloomsbury handbook of music production / edited by Andrew Bourbon and Simon Zagorski-Thomas.
"A summary of current research on the production of stereo and mono recorded music"-- Provided by publisher.
Record details
- ISBN: 1501334034
- ISBN: 1501334042
- ISBN: 9781501334030
- ISBN: 9781501334047
- Physical Description: 1 online resource (xviii, 414 pages)
- Publisher: New York : Bloomsbury Academic, 2020.
- Copyright: �2020
Content descriptions
General Note: | CatMonthString.april.24 Multi-User. |
Bibliography, etc. Note: | Includes bibliographical references and index. |
Formatted Contents Note: | Part I. Background. Recorded Music / Simon Zagorski-Thomas ; Authenticity in Music Production / Mike Alleyne ; How to Study Record Production ; Carlo Nardi -- Part II. Technologies. From Tubes to Transistors : Developments in Recording Technology up to 1970 / Albin Zak III ; Transition : The History of Recording Technology from 1970 to the present / Paul Th�eberge ; How does vintage equipment fit into a modern working process? / Anthony Meynell -- Part III. Places. Recording Studios in the First Half of the 20th Century / Susan Schmidt-Horning ; Recording Studios Since 1970 / Eliot Bates -- Part IV. Organising the Production Process. Information (Inter)action and Collaboration in Record Production Environments / M. Nyssim Lefford ; Creative Communities of Practice : Role Delineation in Record Production In Different Eras and Across Different Genres and Production Settings / Tuomas Auvinen ; Pre-Production ; Mike Howlett -- Part V. Creating Recorded Music. Songwriting in the Studio / Simon Barber ; The Influence of Technology on Performance : Classical Perspectives / Amy Blier-Carruthers ; Welcome to the Machine : Musicians, Technology and Industry / Alan Williams ; Studying Recording Techniques / Kirk McNally and Toby Seay ; Materialising Identity in the Recording Studio / Alexa Woloshyn -- Part VI. Creating Desktop Music. Desktop Production and Groove / Anne Danielsen ; Bass and Heaviness in Dance Music / Robert Fink ; Maximum Sonic Impact : (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production / Mark Mynett ; Desktop Production and Commerciality / Phil Harding -- Part VII. Post-Production. Audio Processing / Mike Exarchos and Simon Zagorski-Thomas ; Mixing / Andrew Bourbon -- Part VIII. Distribution. Producer Compensation in the Digital Age / Richard James Burgess ; Evolving Technologies of Music Distribution : Consumer Music Formats -- Past, Present and Future / Rob Toulson ; Listening to Recorded Sound / Mark Katz ; Interpreting the Materials of a Transmedia Storyworld : Word-Music-Image in Steven Wilson's Hand. Cannot. Erase. (2015) / Lori A. Burns and Laura McLaren. |
Type of Computer File or Data Note: | Text (HTML), electronic book. |
System Details Note: | Mode of access: Internet. |
Terms Governing Use and Reproduction Note: | Access requires VIU IP addresses and is restricted to VIU students, faculty and staff. Access restricted by subscription. |
Issuing Body Note: | Made available online by EBSCO. |
Source of Description Note: | Online resource; title from digital title page (viewed on March 17, 2020). |
Search for related items by subject
Genre: | History |