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The Bloomsbury handbook of music production  Cover Image E-book E-book

The Bloomsbury handbook of music production / edited by Andrew Bourbon and Simon Zagorski-Thomas.

Summary:

"A summary of current research on the production of stereo and mono recorded music"-- Provided by publisher.

Record details

  • ISBN: 1501334034
  • ISBN: 1501334042
  • ISBN: 9781501334030
  • ISBN: 9781501334047
  • Physical Description: 1 online resource (xviii, 414 pages)
  • Publisher: New York : Bloomsbury Academic, 2020.

Content descriptions

General Note:
CatMonthString.april.24
Multi-User.
Bibliography, etc. Note:
Includes bibliographical references and index.
Formatted Contents Note:
Part I. Background. Recorded Music / Simon Zagorski-Thomas ; Authenticity in Music Production / Mike Alleyne ; How to Study Record Production ; Carlo Nardi -- Part II. Technologies. From Tubes to Transistors : Developments in Recording Technology up to 1970 / Albin Zak III ; Transition : The History of Recording Technology from 1970 to the present / Paul Th�eberge ; How does vintage equipment fit into a modern working process? / Anthony Meynell -- Part III. Places. Recording Studios in the First Half of the 20th Century / Susan Schmidt-Horning ; Recording Studios Since 1970 / Eliot Bates -- Part IV. Organising the Production Process. Information (Inter)action and Collaboration in Record Production Environments / M. Nyssim Lefford ; Creative Communities of Practice : Role Delineation in Record Production In Different Eras and Across Different Genres and Production Settings / Tuomas Auvinen ; Pre-Production ; Mike Howlett -- Part V. Creating Recorded Music. Songwriting in the Studio / Simon Barber ; The Influence of Technology on Performance : Classical Perspectives / Amy Blier-Carruthers ; Welcome to the Machine : Musicians, Technology and Industry / Alan Williams ; Studying Recording Techniques / Kirk McNally and Toby Seay ; Materialising Identity in the Recording Studio / Alexa Woloshyn -- Part VI. Creating Desktop Music. Desktop Production and Groove / Anne Danielsen ; Bass and Heaviness in Dance Music / Robert Fink ; Maximum Sonic Impact : (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production / Mark Mynett ; Desktop Production and Commerciality / Phil Harding -- Part VII. Post-Production. Audio Processing / Mike Exarchos and Simon Zagorski-Thomas ; Mixing / Andrew Bourbon -- Part VIII. Distribution. Producer Compensation in the Digital Age / Richard James Burgess ; Evolving Technologies of Music Distribution : Consumer Music Formats -- Past, Present and Future / Rob Toulson ; Listening to Recorded Sound / Mark Katz ; Interpreting the Materials of a Transmedia Storyworld : Word-Music-Image in Steven Wilson's Hand. Cannot. Erase. (2015) / Lori A. Burns and Laura McLaren.
Type of Computer File or Data Note:
Text (HTML), electronic book.
System Details Note:
Mode of access: Internet.
Terms Governing Use and Reproduction Note:
Access requires VIU IP addresses and is restricted to VIU students, faculty and staff.
Access restricted by subscription.
Issuing Body Note:
Made available online by EBSCO.
Source of Description Note:
Online resource; title from digital title page (viewed on March 17, 2020).
Subject: Popular music > Production and direction.
Sound recordings > Production and direction.
Sound > Recording and reproducing > History.
Son > Enregistrement et reproduction > Histoire.
Music recording & reproduction.
Sound recordings > Production and direction
Sound > Recording and reproducing
Genre: History


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