Critical approaches to the production of music and sound

Bates, Eliot, (editor,, contributor.). Bennett, Samantha (Music professor), (editor,, contributor.).

Summary: Who produces sound and music? And in what spaces, localities, and contexts? As the production of sound and music in the 21st century converges with multimedia, these questions are critically addressed in this new edited collection. This work features 16 brand-new articles by leading thinkers from the fields of music, audio engineering, anthropology, and media. Innovative and timely, this collection represents scholars from around the world, revisiting established themes such as record production and the construction of genre with new perspectives, as well as exploring issues in cultural and virtual production.

Record details

ISBN: 9781501332050
ISBN: 9781501332081
ISBN: 9781501332067
ISBN: 1501332082
ISBN: 1501332066
Physical Description: 1 online resource (xiv, 274 pages)
remote
Computer data.
Publisher: New York, NY : Bloomsbury Academic, 2018.
Copyright: �2018

Content descriptions

General Note:	CatMonthString:january.22 Multi-User.
Bibliography, etc. Note:	Includes bibliographical references and index.
Formatted Contents Note:	The production of music and sound : a multidisciplinary critique / Eliot Bates and Samantha Bennet -- I. Situating production : place, space and gender. Field recording and the production of place / Tom Western -- The poietics of space : the role and co-performance of the spatial environment in popular music production / Damon Minchella -- "An indestructible sound" : locating gender in genres using different music production approaches / Paula Wolfe -- II. Beyond representation. Producing tv sries music in Istanbul / Eliot Bates -- Reclamation and celebration : Kodangu, a Torres Strait islander album of ancestral and contemporary Australian indigenous music / Karl Neuenfeldt -- III. Electronic music. "All sounds are created equal" : mediating democracy in acousmatic education / Patrick Valiquet -- Technologies of play in hip-hop and electronic dance music production and performance / Mike D'Errico -- IV. Technology and technique. Weapons of mass deception : the invention and reinvention of recording studio mythology / Alan Williams -- Auto-tune in situ : digital vocal correction and conversational repair / Owen Marshall -- V. Mediating sound and silence. Listening to or through technology : opaque and transparent mediation / Ragnhild Brovog-Hanssen -- Six types of silence / Richard Osborne -- VI. Virtuality and online production. Intermixtuality : case studies in online music (re)production / Samantha Bennett -- Crowdfunding and alternative modes of production / Mark Thorley.
Type of Computer File or Data Note:	Text (HTML), electronic book.
System Details Note:	Mode of access: Internet.
Terms Governing Use and Reproduction Note:	Access requires VIU IP addresses and is restricted to VIU students, faculty and staff. Access restricted by subscription.
Issuing Body Note:	Made available online by EBSCO.
Source of Description Note:	Online resource; title from digital title page (viewed on January 11, 2018).